This third edition of American Cultural Studies has been updated throughout to take into account the developments of the last six years, providing an introduction to the central themes in modern American culture and explores how these themes can be interpreted.
American Cultural Studies is a core text and an accessible introduction to the interdisciplinary study of American culture.
Why do so many African American film characters seem to have magical powers? And why do they use them only to help white people? When the actors are white, why is the sound track so commonly performed by African Americans? And why do so many white actors imitate black people when they wish to express strong emotion?
Of the one hundred Pilgrims who settled at Plymouth in 1620, nearly half had died within months of hardship, starvation or disease. One of the colony’s most urgent challenges was to find ways to grow and prepare food in the harsh, unfamiliar climate of the New World. From the meager subsistence of the earliest days and the crucial help provided by Native Americans, to the first Thanksgiving celebrations and the increasingly sophisticated fare served in inns and taverns, this book provides a window onto daily life in Colonial America.
A comprehensive reference source covering all aspects of both African American and white gospel from history and performers to recording techniques and styles, as well as the influence of gospel on different musical genres and cultural trends. Now available in paperback, this work is a valuable reference for both scholars and the general reader.
In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay.
A fascinating and insightful study of the development of New Orleans jazz and its effect on jazz history. A story of how New Orleans jazz came to be recognizable as a discrete style and how that recognition affected the writing of American jazz history. The men and women who participated in the awakening of American jazz scholarship were partisans of a community of 'hot' record collectors, whose interest in the origins of jazz was a foregone conclusion.
New York is a city like no other. Through the centuries, she’s been embraced and reviled, worshipped and feared, praised and battered—all the while standing at the crossroads of American politics, business, society, and culture. Pulitzer Prize winner Teresa Carpenter, a lifelong diary enthusiast, scoured the archives of libraries, historical societies, and private estates to assemble here an almost holographic view of this iconic metropolis. Starting on January 1 and continuing day by day through the year, these journal entries are selected from four centuries of writing—revealing vivid and compelling snapshots of life in the Capital of the World.
Denis Lacorne identifies two competing narratives defining the American identity. The first narrative, derived from the philosophy of the Enlightenment, is essentially secular. Associated with the Founding Fathers and reflected in the Declaration of Independence, the Constitution, and the Federalist Papers, this line of reasoning is predicated on separating religion from politics to preserve political freedom from an overpowering church. The second narrative is based on the premise that religion is a fundamental part of the American identity and emphasizes the importance of the original settlement of America by New England Puritans. This alternative vision was elaborated by Whig politicians and Romantic historians in the first half of the nineteenth century. Lacorne outlines the role of religion in the making of these narratives and examines, against this backdrop, how key historians, philosophers, novelists, and intellectuals situate religion in American politics.